Wayfinding

Shannon Borg

Proposal
Wayfinding
MFA Exhibition, 2026


Artist’s Statement

Shannon Borg | Artist’s Statement

(b. 1964, United States)

Shannon Borg's paintings and mixed-media sculptures explore the intersection of time, travel, genetic memory, and abstract landscape painting. 

Her work transcends conventional landscape painting, with its notions of place, linear space, and chronological time, instead, weaving together the internal and external realms of imagined ancestral history, collective mythology, and personal emotion with abstract expressionist gesture.

Inspired by medieval pilgrimage maps and conceptual religious diagrams of mystics like Jacob Böhme and William Blake, and visionary painters like Ithell Colquhoun and Agnes Pelton, the artist creates a personal language of eight creative elemental forces that unify disparate histories, immigration routes, and family mythologies into a color wheel of collective memory and individual identity.

During her own pilgrimage to visit the birthplaces of her 16 great-great grandparents in Wales, Scotland, Sweden, Denmark and the Midwest of the United States, the artist gathered images and impressions, family journals and historical documents, discovering their stories and telling tales of her own reverse pilgrimage. The ancestors traveled for religious freedom and spiritual utopia to Salt Lake City; she returned, an atheist and artist, to explore her connection to their beliefs, trials, and legacy.

Through the use of geometric forms and color relationships, she reconstructs her experience into an imagined elemental “genetic code” for each of the 16 ancestors, exploring their physical and metaphysical journeys from their birthplaces ending in the artist’s own body and mind. The result is a deconstructed kaleidoscope effect that places the viewer in an imagined abstract landscape where they are invited to consider the artist’s metaphorical “tools of navigation,” and experience their own journey as they walk through the space, looking through transparencies, light and color into the artist’s imagined ancestral memory and connecting with their own placement in nature, time, and history.

Wayfinding offers an immersive experience of movement, color and light, inviting the viewer to explore their own identity as a member of the human family, a descendant with inherited creativity, collective memory, and courage, capturing fleeting images and moods from inner ancestral landscapes.

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Statement of Intent and Need

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Intent
My intent is to create a space where viewers can move from one installation area to another, passing large paintings, to experience a progression in three thematic stages: Journey Imagined; Journey Experienced, Journey Transcended (these are not titles of pieces, but for this proposal, to give you an idea of how I envision the show). 

NOTE: If viewers go the opposite direction around the show, that is fine, too; this is just one way I envision it.

All pieces are complete except: Noon Mark, The Wheels, The Bees (Grandfathers)

Needs for Space
I would like to use the whole Surplus Gallery, if possible. If that is not possible, I would prefer the larger (east) side, and I would reconfigure the show to include fewer pieces, but to have the full effect I envision, a larger space is needed (and much appreciated)..

My work is large, and this show includes 11 large paintings (plus one smaller one) and three installation pieces that need substantial space, including:


Stage One: Journey Imagined
(in SW corner space of Surplus Gallery, preferably)

Title: Timeline

Timeline is a 30-foot long piece that will cross two walls (preferably in an L-shape, two walls coming together at a 90-degree angle, the front gallery space in the Surplus Gallery preferred, see proposed gallery layout in last image). This piece will also include a table or wide pedestal and two side pedestals.

Timeline - 30-feet long translucent Yupo paper

Hierophant - Mixed-media piece on 3 pedestals (one larger, 36 x 36 inches; two smaller, 12 x 12 inches)


Stage Two: Journey Experienced
(in NW corner space of Surplus Gallery, preferably)

Title: 16 Journeys

EIGHT (8) 72 x 36 inch standing paintings set around a table

TABLE : 96 x 36 inches by 36 inches tall

With 36-48 inches of walking space, this piece needs 21 feet by 24 feet of space.


Stage Three: Journey Transcended
     
(in main NE/SE space of Surplus Gallery, preferably)

  Title: Tools of Navigation 

7 hanging sculptures, each 36 inches in width, with a need for 36 -48 inches of walking space on each side and internally, for a total of 24 feet by 24 feet of space needed.

Titles of each piece:

Borealis (Violet)

Depth Sounder (Blue)

Floruit (Green)

Loupe (Yellow)

Catalyst (Orange)

Pyrometer (Red)

Light Mill (Black/White)

ADDITIONAL PAINTINGS:

12 Paintings to be hung on walls around and throughout the gallery space (see diagram) include:

1.Compass (72 x 108 inches)

2.Dymaxion 1, oil on canvas, 72 x 108 inches (diptych)

3.Dymaxion 2, oil on canvas, 72 x 108 inches (diptych)

4. Mindmap, oil on canvas, 72 x 108 inches

5. Brighton Beach, oil on canvas, 72 x 108 inches

6. Geometrical Wedding (What They Carried), mixed media, 60 x 72 inches

7. The Bees (Grandmothers), oil on canvas, 72 x 108 inches (diptych)

8. The Bees (Grandfathers), oil on canvas, 72 x 108 inches (diptych)

9. Nocturne, oil on canvas, 72 x 108 inches

10. Noon Mark, oil on canvas, 96 x 63 inches 

11. The Wheels, oil on canvas, 63 x 96 inches

12. Atlas Key, oil on canvas, 24 x 36 inches

Images

20 images of my work, and one image of the gallery layout.

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Depth Sounder

Pyrometer